pembelajaran bahasa inggris berbantuan komputer (tugas2)

Belajar Tenses Bahasa Inggris Belajar bahasa inggris otodidak bukanlah hal mustahil meskipun katanya bahasa inggris sulit, bahasa Inggris bikin sakit kepala, bahasa Inggris bikin frustasi, 16 tenses lengkap susah dihafal, mungkin itulah ungkapan yang akan kita dapatkan bila kita bertanya kepada orang yang tidak mampu menguasai bahasa Inggris dan juga tidak ada usaha untuk tidak pantang menyerah dalam mempelajarinya. Ya, menguasai bahasa Inggris memang tidak mudah tetapi juga tidak sepenuhnya sulit karena sudah ada aturannya seperti 16 tenses lengkap. Belajar bahasa Inggris pun sama seperti belajar hal lainnya, tidak bisa instan dan harus berlatih secara berulang-ulang. Dan jangan sekali-kali bilang tidak bisa sebelum mencapai hasil maksimal apalagi sebelum mencoba sama sekali. Sikap yang optimistis juga salah satu hal yang bisa membawa kita pada keberhasilan menguasai bahasa Inggris. lalu selain di tempat belajar khusus, apakah belajar bahasa Inggris otodidak bisa dilakukan secara mandiri? Tentu saja bisa, sekarang hal itu bukanlah hal mustahil lagi. Berikut 16 rumus tenses bahasa Inggris tersebut: PRESENT Simple present tense S + V(s/es) + O/Adv S + tobe + Adj/Adv Present continuous tense S + Tobe + Ving + O/Adv S + tobe + being + Adj/Adv Present perfect tense S + Have/Has + V3 + O/Adv S + Have/Has + been + Adj/Adv Present perfect continuous tense S + Have/Has + been + Ving + O/Adv S + Have/has + been + being + Adj/Adv PAST Simple past tense S + V2 + O/Adv S + Was/Were + Adj/Adv Past continuous tense S + Was/were + Ving + O/Adv S + Was/Were + being + Adj/Adv Past perfect tense S + Had + V3 + O/Adv S + Had + been + Adj/Adv Past perfect continuous tense S + Had + been + Ving + O/Adv S + Had + been + being + Adj/Adv FUTURE Simple future tense S + Will/Shall + V + O/Adv S + Will + be + Adj/Adv Future continuous tense S + Will + be + Ving + O/Adv S + Will + be + being + Adj/Adv Future perfect tense S + Will + Have +  V3 + O/Adv S + Will + Have + been + Adj/Adv Future perfect continuous tense S + Will + Have + been + Ving + O/Adv S + Will + Have + been + being + Adj/Adv PAST FUTURE Simple past future tense S + Would + V1 + O/Adv S + Would + Be + Adj/Adv Past future continuous tense S + Would + Be +Ving + O/Adv S + Would + Be +being + Adj/Adv Past future perfect tense S + Would + Have +V3 + O/Adv S + Would + Have + Been + Adj/Adv Past future perfect continuous tense S + Would + Have + been + Ving + O/Adv S + Would + Have + been + being + Adj/Adv

History of Poetry

History of Poetry  Much of Old English poetry was probably intended to be chanted, with harp accompaniment, by the Anglo-Saxon scop, or bard. Often bold and strong, but also mournful and elegiac in spirit, this poetry emphasizes the sorrow and ultimate futility of life and the helplessness of humans before the power of fate. Almost all this poetry is composed without rhyme, in a characteristic line, or verse, of four stressed syllables alternating with an indeterminate number of unstressed ones. This line strikes strangely on ears habituated to the usual modern pattern, in which the rhythmical unit, or foot, theoretically consists of a constant number (either one or two) of unaccented syllables that always precede or follow any stressed syllable. Another unfamiliar but equally striking feature in the formal character of Old English poetry is structural alliteration, or the use of syllables beginning with similar sounds in two or three of the stresses in each line. All these qualities of form and spirit are exemplified in the epic poem Beowulf written in the 8th century. Beginning and ending with the funeral of a great king, and composed against a background of impending disaster, it describes the exploits of a Scandinavian cultural hero, Beowulf, in destroying the monster Grendel, Grendel's mother, and a fire-breathing dragon. In these sequences Beowulf is shown not only as a glorious hero but as a savior of the people. The Old Germanic virtue of mutual loyalty between leader and followers is evoked effectively and touchingly in the aged Beowulf's sacrifice of his life and in the reproaches heaped on the retainers who desert him in this climactic battle. The extraordinary artistry with which fragments of other heroic tales are incorporated to illumine the main action, and with which the whole plot is reduced to symmetry, has only recently been fully recognized. Another feature of Beowulf is the weakening of the sense of the ultimate power of arbitrary fate. The injection of the Christian idea of dependence on a just God is evident. That feature is typical of other Old English literature, for almost all of what survives was preserved by monastic copyists. Most of it was actually composed by religious writers after the early conversion of the people from their faith in the older Germanic divinities. Sacred legend and story were reduced to verse in poems resembling Beowulf in form. At first such verse was rendered in the somewhat simple, stark style of the poems of Caedmon, a humble man of the late 7th century who was described by the historian and theologian Saint Bede the Venerable as having received the gift of song from God. Later the same type of subject matter was treated in the more ornate language of the Anglo-Saxon poet Cynewulf and his school. The best of their productions is probably the passionate “Dream of the Rood.” In addition to these religious compositions, Old English poets produced a number of more or less lyrical poems of shorter length, which do not contain specific Christian doctrine and which evoke the Anglo-Saxon sense of the harshness of circumstance and the sadness of the human lot. “The Wanderer” and “The Seafarer” are among the most beautiful of this group of Old English poems. The analysis: 1. The extraordinary artistry with which fragments of other heroic tales are incorporated to illumine the main action, and with which the whole plot is reduced to symmetry, has only recently been fully recognized.(Relative Pronoun) 2. At first such verse was rendered in the somewhat simple, stark style of the poems of Caedmon, a humble mane of the late 7th century who was described by the historian and theologian Saint Bede the Venerable as having received the gift of song from God. (Relative Pronoun) 3. “The Wanderer” and “The Seafarer” are among the most beautiful of this group of Old English poems.(Comparison Degree)